Move the Cursor and it will change to the Eyedropper. Instead, we will sample her T-shirt which although is not 100% white, it does have more colour information. We would go further and say avoid the completely blown out whites such as the lights in the roof. You will see that FCPX gives you a little hint here in the bottom left hand corner of the canvas to select an area that should be pure white. You can also apply this colour correction fix to clips and images in the Final Cut Pro X Browser, not just the Timeline!īack to the Inspector and select White Balance form the dropdown menu in the Balance Color controls. The controls will appear in the Video Parameters Tab in the Inspector. You might notice a slight contrast change as well as Final Cut Pro X expands the blacks and whites to their corresponding 0% and 100% levels. This will apply an FCPX generated balance, which does look a lot better than the original, but there is still a cast. Then click on the magic wand and select Balance Color or you could use the shortcut OPT CMD B. Navigate to the bottom left of the canvas where you will see three icons. You would think that you need to head straight over to the colour tools in the Inspector ( CMD 4) looking for the auto white balance, but you would be wrong. Thankfully you now have a third option right inside FCPX. (It does happen!)īefore the 10.4 update you had two choices how to fix the colours.ġ) Mess about with the Colour Board with an eye on the vectorscope trying to remove the cast.Ģ) Buy a third party colour correction plugin or roundtrip through another NLE or colour grading app. This can happen with fluorescent lighting or even something simple like the cameraman getting the white balance or filter on the camera wrong. Here you can see we have an indoor portrait with a rather nasty colour cast. The good news is that the eyedropper and the Auto White Balance features are back in Final Cut Pro X 10.4, but not where you would expect to find them! Many editors complained that the handy eyedropper that made a 'one click fix' for colour correction had gone. ![]() When Final Cut Pro X was released back in June 2011, one of the missing features from FCP7 was the Auto White Balance tool. In this tutorial we will show you how to get rid of unwanted colour casts using the Auto White Balance tool in Final Cut Pro X What’s your favorite way to create 3D text in Final Cut Pro? Share your advice in the comments below.How to Auto White Balance Colours in Final Cut Pro X 10.4 For additional Final Cut Pro tutorials, check out our Final Cut Pro X page here on PremiumBeat.įor more on editing in Final Cut Pro X, check out this breakdown of the key ingredients that go into one of your future edits. This is, of course, one of the many ways to stylize 3D titles in Final Cut Pro X. To make your text blend better with your background, apply the Color Correction effect to your text and change the levels as needed. Step 6: Apply Some Quick Color Correction In our example, we had our flare over the text for a few frames, then below for the remainder of its duration. Step 5: Add the Flare Elementĭrag your flare element into your composition. ![]() You can do this by simply dragging your background video element down from your Clips panel. Move forward about five seconds and scale down the footage to create a drifting effect. Under the Video tab, add a scale keyframe by hitting the plus icon on the first frame. Change the Side Material to Metal>Old Steel.Select Multiple from the Materials Menu.Change Your Material to Metal>Brushed Circular.Increase the Intensity of the Lighting to 190%.Change the Custom Environment Map to ‘Soft Box Above’.Turn the Lighting Intensity Down to 20%.Change the Lighting Style to Diagonal Right.Perform the following steps to make your titles look exactly like our example: Pick a font that looks great on screen.įor our example we’ll use the font called Marion. From this tab you can adjust all the various parameters that are going to make your text awesome. With your text selected in the timeline, navigate to the Text tab in the Inspector window at the top right of the Final Cut Pro window. In our example, we’re using 1080p HD at 23.98 frames per second. Choose whatever is appropriate for your project. When you drag the file into your timeline, you’ll be prompted to name the resolution and frame rate of your timeline. ![]() You’ll find this effect under the Titles tab - it’s the one with the large “ T” icon. To get started, drag the Tumble 3D text effect into your timeline. Creating 3D Titles in Final Cut Pro X Step 1: Drag the Text to Your Timeline
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